By Vladimir Vavilov, Les petits chanteurs de France, Louis Deschanel, Véronique Vavilov: Ave Maria (Formerly Attributed to Giulio Caccini, Arr. for Piano Solo). Ave Maria (Caccini) à 2 voix / 3 voix (Accompagnement Piano) Ave Maria Vladimir Vavilov Big band: 5 saxophones, 4 trumpets, 4 trombones, drums, piano, . The song Ave Maria (Caccini) was written by [Traditional] and Vladimir Vavilov and. It was covered by Johanna Lehesvuori, Charlotte Church, Marilena.
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He routinely ascribed his own works to other composers, usually Renaissance or Baroque occasionally from later erasusua lly with total disregard of a style that should have been appropriate, in the spirit maira Fetis, Kreisler, Manuel Ponce, Casadesus and other mystificators of the previous eras.
Although originally written for accompanied voice, I created this arrangement for Viola vaviov Acoustic Piano. Close X Learn about Digital Video. After purchase you can download your video from your Digital Library. If you use and like Free-scores.
Giulio Caccini: Ave Maria
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Close X Saved to Music List. He was a student of P. His works achieved enormous circulation, and some of them achieved true folk music status, with several poems set to his melodies.
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Vladdimir are only authorized to print the number of copies that you have purchased. It is a musical hoax generally misattributed to Baroque composer Giulio Caccini.
It is believed that the work received its ascription to Giulio Caccini after Vavilov’s death, by organist Mark Shakhin one of its performers on the mentioned “Melodiya” longplaywho gave the “newly vqvilov scores” to other musicians; then in an arrangement made by the organist Oleg Yanchenko for the recording by Irina Arkhipova inthen the piece came to be famous worldwide Vladimir Fyodorovich Vavilov — was a Russian guitarist, lutenist and composer.
He was a student of P. This arrangement is made for Soprano 1, Soprano 2 and Alto with mezzo soprano or soprano solo. Just purchase, download and play!
Giulio Caccini: Ave Maria – Classic FM
He played an important part in the early music revival in the Soviet Union. Vavilov was active as a performer on both lute and guitar, as a music editor for a state music publishing house, and more important, as a composer.
It is believed that the work received an ascription to Giulio Caccini after Vavilov’s death, by organist Mark Shakhin one of its performers on the mentioned “Melodiya” longplaywho gave the “newly discovered scores” mqria other musicians; then in an arrangement made by the organist Oleg Yanchenko for the recording by Irina Arkhipova inafter which the piece came to be famous worldwide.