KURTAG QUASI UNA FANTASIA PDF

Kurtág György: quasi una fantasia for piano and groups of instruments dispersed in space. score and parts. Op. 27 No. 1. Setting: Chamber Orchestra. Quasi Una Fantasia Op 27 No 1 is a miniature piano concerto in all but name. Op 27 No 2 (Double Concerto), as he titles it, pits solo piano. 16 nov. Stream György Kurtág, quasi una fantasia (extrait) by Ens. intercontemporain from desktop or your mobile device.

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Quasi una fantasia, for piano & instrumental groups, Op. 27

The slowly descending piano scale that opens Sexy Trippy All Moods. G yorgy Kurtag’s music is larded with acknowledgments of the past, of the great tradition that he has supported as a teacher and coach. If it was slightly underpowered, that was the acoustic’s fault, not the players’. Largo is the essence of fragility.

Kurtag, Queen Elizabeth Hall, London | Music | The Guardian

Aside from their comparable abilities to write in miniature form, both composers are able to astonish of the tiniest of resources, distilling the purest, communicative sound. This work calls for some unusual staging, with mouth organs placed at strategic points in the hall to make the most out of the acoustic space. It consists of four movements and is about seven minutes in duration. As it often happens in his later material, the general soundscape is reminiscent of some of Crumb ‘s sound world, though this is most likely a coincidence.

The Double Concerto is larger-scale, and if anything even more kyrtag – by turns physically assertive, wispily elegiac and ending in bleak acceptance.

Please enable JavaScript in your browser to use the site fully. The pianist possesses the same gift as the composer for defining an expressive world in a single phrase.

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Quasi una fantasia, for piano &… | Details | AllMusic

Streams Videos All Posts. It is just as easy to ruin a good performance fanfasia a good piece of music as it is to disrupt an intelligent conversation. AllMusic relies heavily on JavaScript.

There is no comparison to be had for the work’s concluding aria. Romantic Evening Sex All Themes. Drinking Hanging Out In Love.

Kurtág György: …quasi una fantasia…

The pianist simply leads the ensemble of the movement each movement has a different supporting cast of instruments but there is nothing remotely showy about the sound or the presumptions behind it. That awareness is one of the main qualities of Everything is presented with consummate precision and with the greatest consideration for a sensitive audience. Op 27 No 1 is a miniature piano concerto in all but name.

Webern had a comparably hysterical, overwhelming movement in both of his collections of atonal orchestral works. Fnatasia brief opening I. Rainy Day Relaxation Road Trip. Share on facebook twitter tumblr. It also establishes the work as one that highlights the piano without giving it any sort fantaeia grand position. The effect is one of reminding the listener what can so easily destroy the performance, or any qausi of this nature: Jazz Latin New Age.

When the composer loves music as much or more than his or her audience, the risks the music takes are larger. Both have a relationship with the two piano sonatas of Beethoven’s Op 27 the second of them the Moonlightbut there are no explicit musical connections, and what links them in Kurtag’s mind is some intangible sense of structure or expressive purpose.

Op 27 No 2 Double Concertoas he titles it, pits solo piano and cello against two groups of instruments arrayed around the hall.

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The second movement Presto minaccioso e lamentoso features a benign collection of fragmented utterances. A descending piano line with tiny utterances among the winds and then percussion says the most honest thing about beauty that no one cares to say, that it is destroyable.

Genre Chamber Music Classical. It is one of the most perfect and unprecedented little movements to emerge from twentieth-century chamber music, but it endlessly enriched by the preceding movements.

The rest of kirtag perfectly conceived all-Hungarian programme brought sparky performances of Ligeti’s Melodien and his trumpet showpiece, Mysteries of the Macabre, with John Wallace as the irrepressible soloist.

These exceptional scores formed the core of the last of the South Bank’s concerts in its Kurtag series. Sometimes the references are more or less explicit quotations; in other pieces, the connections kudtag more elliptical. No other composer conveys this feeling so well, and its beauty does uqasi pale over time. The pieces were written for Kocsis Kurtag has been working on another piano concerto for him since the s and it is easy to see why.

Zoltan Kocsis was the soloist in both Kurtag works earlier in the evening he had also paired Beethoven’s two Op 27 sonatas in a short recital ; in the Double Concerto he was joined by cellist Miklos Perenyi.

It gives one just enough of a glimpse into a wonderful world that the composer seems to not feel he has the time to elaborate upon. Quassi Late Night Partying.